This set of pieces was inspired by the word
‘unmotion’, which originates from a poem by E. E. Cummings. The word implies a
condition of stasis, a lack of movement, a moment of tranquility. The pieces
began life as a set of field recordings, each made in a different woodland
nature reserve, by standing motionless while the recordings were made. These
were then combined with a set of sound textures, derived from a range of
different electro-acoustic sources, to provide a counterpoint to these moments
of stillness.
‘unmotion’, which originates from a poem by E. E. Cummings. The word implies a
condition of stasis, a lack of movement, a moment of tranquility. The pieces
began life as a set of field recordings, each made in a different woodland
nature reserve, by standing motionless while the recordings were made. These
were then combined with a set of sound textures, derived from a range of
different electro-acoustic sources, to provide a counterpoint to these moments
of stillness.
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